
Thursday, September 16, 2010
EDITORIAL BOOZE-FEST 2

RICHARD FREEMAN'S YOKAI OF THE WEEK: Raijū
The thunder beast. The animal is said to fall to the earth in a bolt of lighting. It can take the form of a tanuki, a weasel, a monkey, a cat or a wolf. It is wreathed in lightning. It can also fly around in the form of a ball of lightning.
The Raijū is said to be the companion of Raijin the Shinto god of lightning. Where lighting strikes the Raijū has clawed the ground. Raiju leaves claw marks in trees. People did not hide under trees during storms in case the thunder beast leapt upon them.
A school teacher from Kanayama Town, Gifu Prefecture, was scratched on the face by a Raijū during a thunderstorm. It left a scar. Raijū were rumoured to live atop Kaga Province's Mt. Hakusan and Shinano Province's Mt. Asama. One was captured and put on show in either Osaka or Kyoto. It resembled a fox and was kept in an iron net. It refused to eat or drink but its hair stood on end before the evening rain.
Another was captured in Lord Nagai's fiefdom of Iwatsuki whilst running through a vegetable patch after a storm. It refused to eat and drink and thus died. It was then stuffed. It looked like a puppy with bear’s claws. Its feet had many knuckles and folds. The pelt was thin except beneath the legs where it thickened.
The boddhisattva Kokūzō captured one of these beasts after it came down in a thunderbolt at Satoshō Town, Asakuchi District, Okayama Prefecture. From then on no more thunderbolts fell. The greatful locals held a festival on the 13th day of the first old month each year in celebration. For some unfathomable reason the Raijū hates camels. If images of camels are erected then the thunder will not come.
The Raijū also has the odd habit of sleeping in a person’s navel. When Raijin wants to awaken the beast he fires arrows into the unfortunate mortal’s belly button. This is the reason the superstitious sleep on their bellies during storms. A bird called Kaminari-no-tori is the favourite food of the thunder beast. In the Saishōji Temple in Niigata prefecture a supposed Raijū mummy is held in the hall of treasures. It seems to be no more than a mummified cat like those sometimes found in the walls of very old buildings in Britain.
Friday, September 03, 2010
RICHARD FREEMAN: Yokai of the Week
Raigō Anjari was a priest of Mii-dera, a Buddhist temple located at the foot of Mount Hiei, in the city of Ōtsu, in Shiga Prefecture. He was snubbed by the emperor, who favoured the Enryaku-ji Temple, a monastery on Mount Hiei overlooking Kyoto. Raigō had prayed successfuly for the birth of a prince and as a reward had requested the erection of a Buddhist ordination platform at the Enjoji Temple. But rival monks from the Enryaku-ji Temple sucessfuly petitioned the emperor to stop its construction.
Raigō Anjari starved himself to death then transformed his spirit into a plague of rats and laid waste to the Enryaku-ji Temple, knawing up its scriptures. Tesso is depicted as a pack of rats with a kind of were-rat or rat / human hybrid as its leader. Tesso and his roden minions were finaly lured into a pit and buried alive. The mound of earth that covered them is said to be in the city of Oyama in Tochigi Prefecture but its exact wereabouts have been forgotten.
In Kosai Ishikawa’s 1889 book Yaso Kidan (Strange Stories from a Night Window) a story is related of how a samurai is attacked by a group of tiny well dressed men. After slaying them he finds that they were all rat yokai in disguise. Were-rats were known to the Ainu as well. A story tells of how a childless couple found a young boy in the forest and took him home. At that time they could catch no deer or fish so the woman travelled to the next village to buy some. She took the boy with her.
The chief of the village gave them food and allowed them to sleep overnight in his hut. During the night the boy transformed into a rat and scurried about, gnawing at the venison and fish. In the morning the chief said “Look, a huge rat must have come in the night and nibbled at our food.” The woman brought some food and put it in a sack. On the way home she thought she heard the sound of a rat gnawing at the sack. Looking round she only saw the boy smiling innocently.
Back at her own village, the woman put the food in a store room and the husband set a trap. The next day there was no sign of the boy but a massive rat lay dead in the trap. A person of divine aspect appeared and said “On hearing you were childless a wicked rat transformed himself into a boy and fooled you into taking him home. He polluted the area with his presence and so you could not hunt for fish. But all shall be well now.”
The deer and fish returned and the couple were blessed with a real child.
Wednesday, August 25, 2010
WW2010: Richard Freeman on Yokai
If this video disappears, it can be found at http://www.youtube.com/watch?v=XCSfmS83fTg
Thursday, July 29, 2010
RICHARD FREEMAN: Giant turtles
Minogame
Minogame is a ten thousand year old turtle. It has long strands of weed and alga growing from the back of it’s shell to symbolize old age. The name means ‘straw turtle’ as the growth of weed resembles a straw raincoat. In reality many species of turtle have weeds growing on their shells. In some cases this enhances their camouflage.
The best known story about Ryūjin, the Dragon King, is that of Urashima Taro. Urashima was a fisherman. One day he caught a large turtle in his nets. The turtle was a symbol of old age and thus much respected. Urashima let the animal free.
To his amazment the turtle transformed into a lovely young woman. She explained that she was the daughter of Ryūjin the dragon god. She casts a spell on the fisherman enabling him to breath underwater then invites him to Ryūgū-jō.
Urashima was amazed by the vast underwater palace of coral and crystal but even more so by Ryūjin himself. The mighty dragon god’s coils were thousands of feet long and glittered with scales of every imaginable shade of green, aquamarine, turquoise, and blue. His head was crowned with branching antlers and his teeth were as long as scythes. Despite his daunting appearance the god had a kindly look in his eyes and took a liking to Urashima. He allowed him to marry his beautiful daughter and live in the splendid palace
For a while Urashima was happy but then he began to miss his land home and his parents. He was worried that they had no one to care for them in their advancing years. His bride accepted the situation and allowed him to return to the land so long as he promised to come back to her. The fisherman loved his bride and promised that he would indeed return.
Before he left she gave him a small laqured box tied up with cord and told him to never open it. If he did he would never see her again. Once again he gave his word. In her turtle form his wife escorted Urashima back to land.
Once ashore Urashima noticed that something was wrong. The surrounding mountains looked the same but the village was larger and looked very different. All the villagers were strangers. Looking around he saw no one he recognized. He hurried to his old home and found it to be nothing but a pile of rubble. Beside himself with worry he asked around about the people who had live in house and what had become of them. One very old man vaugly recalled a story of an elderly couple whose son had been a fisherman lost at sea. The story was supposed to have occurred 400 years ago!
It dawned on Urashima that time was not measures in the kingdom of the dragon god as it was on land. For every day he spent in Ryūgū-jō many mortal years had passed on land.
Perhapse hoping to find an answer to his awful situation he foolishly opened the box. A wisp if smoke rose up from inside it. This was time catching up with him. His hair grew white then fell out. His eyes dimmed, his bones grew frail. His skin wrinkled and sagged. His body dessicated as time sucked the life out of him. Later the villagers discovered the dried out husk of a man clutching a laquered box.
The date of Urishima’s fishing trip was around AD 478 and his return at around AD 825.
Saturday, June 26, 2010
IN THIS MONTH'S ISSUE OF `PHENOMENA` MAGAZINE...
In this month's issue of Messrs Mera and Sadler's online magazine there are a lot of things of interest to readers of this bloggo. These include an article about preserved yokai in Japan by our very own Richard Freeman. For details, email sadler_dave@yahoo.co.ukhttp://www.upia.co.uk/
Tuesday, June 09, 2009
RICHARD FREEMAN: The Preserved Yokai of Japan
Guest Blogger time for Richard Freeman again. It almost seems silly introducing Richard to you all once again when he makes an appearance as guest blogger several times a week. However our viewing audience/readers (whatever you like to call yourselves) is growing so fast that it is certain that some of you missed the last time I introduced him. Some of you may know that I have recently finished writing a book on Japanese monsters or Yokai as they are collectively known.
In a number of Japanese temples keep alleged specimens of yokai in a mummified state akin to the cats that are sometimes found in old buildings in the UK.
There are a number of different types of mummified yokai, mermaids being the most common. In Japan the mermaid is not the beautiful creature of popular western imagination. It looks more like the ancient Greek triton. It has a fish’s body, humanoid arms and a head that looks like a cross between a monkey and a carp. It is covered with shining golden scales.A Ningyo’s voice is said to sound like a flute and if it ever sheds tears it will be transformed into a human. Fishermen would usually throw he creature back if they caught one as they generally papered before a storm. Dead ones washing up on beaches was thought to be a bad omen. The flesh of the Ningyo is said to greatly extend human lifespan if ingested.
A fisherman from Wakasa (now Obama town in Fukui prefecture) once caught a Ningyo and not knowing what it was served it up at a meal for his friends. The men refused to eat the flesh after they saw the strange appearance of the ‘fish’ their colleague had netted. But one man, drunk on sake accidentally took some of the meat home.
The man’s sixteen year old daughter ate the Ningyo flesh and stopped ageing. She married many times and had many children. Time and again she had to suffer seeing her family grow old and die as she stayed unchanged. Finally she could stand it no longer and became a reclusive Buddhist nun and lived alone in a cave. She finally died at the age of eight hundred. She is called the Happyaku Bikuni or Yao Bikuni, the "Eight Hundred Nun".
A number of mummified mermaids are held in temples. One is at Zuiryuji Temple in Osaka, which was bestowed to the temple as an offering from a Sakai-area trader in 1682. It is a withered creature with an outsized head. Another mummified mermaid is preserved at Myouchi Temple in the city of Kashiwazaki in Niigata prefecture. This mermaid is about a foot long. It has a mouthful of sharp teeth and is holding it’s hands up by its face as if in alarm. Yet another mermaid mummy is preserved at Karukayado Temple outside the city of Hashimoto in Wakayama prefecture. The it is nearly one and a half feet long and has fangs that protrude from its wide open mouth. Both of its hands are raised to its cheeks. Its lower body is covered in scales, and there appear to be the vestiges of fins on its chest, as a pair of nipples.
A fourth mummy is owned by a Shinto sect in the city of Fujinomiya near the base of Mt. Fuji. At nearly 5 feet cm tall and 1,400 years old, it is the largest and oldest known mermaid mummy in Japan. The mermaid has an unusually large head that is bald, except for some hair growth that extends from its forehead to its nose. Its eyes and mouth are open. It has webbed hands with sharp claws. The lower body has a bone structure similar to that of a fish, but it is unclear whether or not the upper body has a bone structure. The entire body shows signs of having been ravaged by moths.
The mummy has a legend attached to it. The mermaid appeared to Prince Shotoku Taishi as he was passing along the shores of Lake Biwa 1,400 years ago. The creature told the prince about how it had been transformed into a mermaid as punishment for making a living as a fisherman within the boundaries of an animal sanctuary. The mermaid claimed that over many years it had come to a clear understanding of the horrors of destroying life, and that it was prepared to move on to the next world. As a final wish before dying, though, it asked the prince to establish a temple using the mermaid’s body as a centerpiece, where it could be used to educate people about the sanctity of life. The mermaid then died. The prince took the mermaid’s body and set up a temple as requested. But after a number of strange occurrences, the mummy was passed on to another temple. The mummy changed hands several times before ending up at its current location at the base of Mt. Fuji.
Another mermaid mummy is claimed to be the cadaver of the creature met by Prince Shotoku Taishi is held at the Kannon Shoji Temple in Shiga prefecture, which is nicknamed the “mermaid temple.” This temple professes to be the one established by Prince Shotoku at the request of the mermaid. The temple mummy is much smaller than the one owned by the Shinto sect and is a little above a foot long.
In Victorian times it was not uncommon for explorers to bring back stiffed ‘mermaids’ from the Far East. These bore little resemblance to the beautiful creatures of European myth because hey were meant to represent the ape-like Ningyo. Most were skilful composites were the top half of a monkey is stitched onto the bottom half of a large fish. This is done with such skill that the stitching can only be seen via an x-ray. In Europe they were dubbed nondescripts.
The most famous was created in 1810 by a Japanese fisherman. It was bought by Dutch merchants who then, in 1822, resold it to an American sea captain, Samuel Barrett Eades, for $6000 (at the time, a huge amount of money). Eades had to sell his ship in order to afford the mermaid, but he hoped to make a fortune by exhibiting it in London. Unfortunately he didn’t own the ship and spent the rest of his life in debt!
His son sold the mermaid to PT Barnum who exhibited it in the UK and the USA. It was destroyed in a fire.
This was one of several mermaid mummies to make it to the west. The one held in the National Museum of Ethnology in Leiden was brought by Jan Cock Blomhoff while serving as director of Dejima, the Dutch trading colony at Nagasaki sometime between 1817 and 1824.
The Centre for Fortean Zoology owns an excellent specimen skillfully created by the special effects wizard Alan Fizwell. Thankfully he did no use a real fish or monkey!
The Raijū or thunder beast is an animal said to fall to the earth in a blot of lighting. It can take the form of a tanuki, a weasel, a monkey, a cat or a wolf. It is wreathed in lightning. It can also fly around in the form of a ball of lightning.
The Raijū is said to be the companion of Raijin the Shinto god of lightning. Were lighting strikes the Raijū has clawed the ground. Raiju leaves claw marks in trees. People did not hide under trees during storms in case the thunder beast leapt upon them.
A school teacher from Kanayama Town, Gifu Prefecture was scratched on the face by a Raijū during a thunderstorm. It left a scar.
Raijū were rumored to live atop Kaga Province's Mt. Hakusan and Shinano Province's Mt. Asama. One was captured and put on show in either Osaka or Kyoto. It resembled a fox and was kept in an iron net. It refused to eat or drink but it’s hair stood on end before the evening rain.
Another was captured in Lord Nagai's fiefdom of Iwatsuki, whilst running through a vegetable patch after a storm. It refused to eat and drink and thus died. It was then stuffed. It looked like a puppy with bear’s claws. Its feet had many knuckles and folds. The pelt was thin except beneath the legs were it thickened.
The bodhisattva Kokūzō captured one of these beasts after it came down in a thunderbolt at Satoshō Town, Asakuchi District, Okayama Prefecture. From then on no more thunderbolts fell. The great full locals held a festival on the 13 th day of the first old month each year in calibration.
For some unfathomable reason the Raijū hates camels. If images of camels are erected then the thunder will not come.
The Raijū also has the odd habit of sleeping in people’s navels. When Raijin wants to awaken the beast he fires arrows into the unfortunate mortal’s belly button. This the Superstitious sleep on their bellies during storms.
A bird called Kaminari-no-tori is the favorite food of the thunder beast.
In Volume 2 of Kasshi Yawa (“Tales of the Night of the Rat”), a collection of essays depicting ordinary life in Edo (now Tokyo), Matsuura Seizan writes that a cat-like creatures would sometimes fall from the sky during thunderstorms. The book includes the story of a family who boiled and ate one such creature after it fell onto their roof.
In the Saishōji Temple in Niigata prefecture a supposed Raijū mummy is held in the hall of treasures. It seems to be no more than a mummified cat like those sometimes found in the walls of very old buildings in Britain.
The same can be said of the Raijū preserved at Yūzanji temple in Iwate prefecture. This was presented to the temple by a parishioner in the 1960s. Were the parishioner found it is not recorded
The kappa is one of the most famous of all yokai and along with the Tatsu (Japanese dragon), Tengu (the bird men) and the Oni (Japanese daemon) the most well known outside of Japan. Kappa has the shell of a turtle and frog’s arms and legs. It has a human like face but with a beak instead of a mouth. It has a fringe hair like that of a western monk about its head. The hair is known as okappa-atama.
The top of a kappa’s skull is concave and holds a magick liquid that gives the water goblin its phenomenal strength. Despite being only the size of a small child a kappa is strong enough to overpower a horse or cow.
Kappa will often challenge an unsuspecting human to a sumo match and easily overpower them with it’s magickal brawn. The defeated victim would have his bowels devoured after they were ripped from his anus.Animals would be killed by kappas in this way as well. Kappa was particularly fond of the shirikodama, a fabled ball said to be found near the anus.
A kappa victim will usually have a distended anus and is known as a Gappadoko. Some victims, oddly, seemed to be smiling after their fatal, anal violation!
Kappa would often lurk in toilets and fondle women’s thighs and buttocks. Indeed Ka
ppa were said to rape women if they got a chance. In Matsuzaki village, Iwate Prefecture, women bore hybrid children from Kappas for two generations. The creatures were so grotesque that they were hacked to pieces upon birth and buried in wine casks.National Museum of Ethnology, at Leiden in the Netherlands has a mummified kappa, seemingly made of parts of a monkey and a stingray.
Zuiryūji temple in Osaka holds a preserved kappa with a very human like ribcage and a fish like head. It may be a fish head on a monkey body. The arms and legs look simian. It is 70 cm long and dates to 1682.
In a shrine in Kumamoto prefecture there is an alleged mummified kappa hand. It looks like it may have come from a Japanese otter, now feared to be extinct.
In the Matsuura Brewery in Imari, Saga Prefecture, a whole mummified kappa is on show. It was discovered in a box during plant renovations over fifty years ago. It is known as kahaku. It has a cat like body with no shell but a long neck and odd looking skull with eyes set far apart. Its nose recalls a softshelled turtle.
One of the best known yokai, the Oni feature in many Japanese legends. Oni are savage daemons in bodying the worst of human nature. They can have ox like, bird like, or humanoid heads. The generally have horns and wild mane of hair. They have three claws on each and three toes on each foot. Some have three eyes. They may be red, green, blue, white or grey in colour. They go naked except for a loin cloth. They are usually huge in size and their favored weapon is an iron spiked club.
Oni have their ancestry, like so many other yokai, in China. Here the ruler of Jigoku the Buddhist hell is called Emma-Daiō. He has two Oni henchmen, one green and one red known as ao-oni and aka-oni respectively.
Oni in Japan have a roll akin to that of trolls, giants and ogres in western lore. They walk the earth spreading terror in their wake until stopped by some hero. But like daemons they also torture souls in hell. Despite this their unpleasant image was often carved into tiles at the end of Japanese roofs. The onigawara tiles were used to keep evil spirits away from the building.
In the festival of setsubun, that marks the start of the new year and spring in the old lunar calendar, people don Oni masks to ward off evil and bad luck for the coming year. The Oni themselves are said to be driven off by the smell of burning sardines (and who can blame them?) and soya beans, which they cannot abide. Folk throw these and yell Oni wa soto! Fuku wa uchi!" ("Out with demons! In with happiness!").
Zengyōji temple in Kanazawa ,Ishikawa prefecture holds the head of a three faced oni. Its origins are unknown and it was supposedly found by priest in a temple storage chamber in the early 18th century. It has two faces (but only 3 eyes) at the front of the head and one at the back. It is put on show at the spring equinox.
Another preserved oni can be found at Daijōin temple in Usa, Oita prefecture. It is a thin creature with a long face and neck. Its hands and feet bear three claws. The mummy heirloom of a noble family. But after they were forced to get rid of it after some kind of misfortune.
The oni changed hands a number of times before ending up with a Daijōin temple parishioner in 1925. After the parishioner fell extremely ill, the mummy was suspected of being cursed.
The parishioner quickly recovered from his illness after the mummy was placed in the care of the temple. It has remained there ever since. Today the enshrined oni mummy of Daijōin temple is revered as a sacred object.
Rakanji Temple at Yabakei ,Oita prefecture, once had a mummified baby oni . The creature bore horns on its head. It was destroyed in a fire in 1943.
One of the best known off all yokai, the tengu is a man / bird hybrid. It has two basic forms, the first being a creature with the head of a bird (usually a raven or a bird of prey), a humanoid body, birds talons and birds wings. It is known as the Karasu Tengu. The second is more human like with a man’s face. A greatly elongated nose is seen in lue of a beak. This form is the Yamabushi Tengu On occasion tengu are portrayed as red skinned men with long noses but no avian features. This may spring from a confusion with the Shinto god Sarutahiko who shares these features. If defeated they are said to transform into birds. Tengu seem invariably male.
Their nature seems contradictory they can spread chaos and fear but are also not averse to humble humans joining in with their merrymaking. They punish the vain and the rich and can affect the human mind leaving the victim wandering the forests or mountains in a state of madness known as tengu-kakushi. This sounds very like the effect certain fairies had on humans in western legend. In the South West of England this was known as being pixy led. The same monster would equally be called on to help lost children find their way home. This may be because in some stories the evil tengu were converted to Buddhism and become enlightened creatures.
Tengu hatch from huge eggs. How these are laid is unclear as the race seems to have no females. When Dutch travelers brought an ostrich egg to Japan locals thought it to be the egg of a tengu. Some say that the daemon Ama-no-zako begat the Tengu. They generally make their homes in Cryptomeria trees. They generally wear small black caps and sashes with pom-poms. These can be traced to a sect of warrior monks known as yamabushi or shugenja. These mountain dwelling ascetics sought enlightenment in the harsh environment of the wilderness. They held the bird yokai’s image as sacred. Tengu were supposed to be great martial artists and were said to have schooled many ninja and samurai.

The Hachinohe Museum in Aomori prefecture in holds a tengu mummy, which is said to have once belonged to Nambu Nobuyori, a Nambu clan leader who ruled the Hachinohe domain in the mid-18th century. It has a simian head with a bird’s body and legs, with long toes. There are also many feathers, in poor condition. The feet and feathers suggest a pheasant or similar bird. The mummy originated in Nobeoka ,Miyazaki prefecture. The Hachinone tengu bears an uncanny resemblance to Owlman!
The Japanese dragon known as the Tatsu or Ryū looks very like it’s Chinese counterparts. It has a head with piercing eyes and jaws furnished with formidable teeth. It has branching antlers on its head and barbles like those of a catfish on the snout. Its vast body is elongate, scaled and serpentine. Japanese dragons usually lack the massive bat like wings of their western relations but some sport small fin like wings, or wing like fins just behind the front legs. The dragon’s four legs are small in comparison to its immensely long body. Unlike the Chinese dragon that has four (or five if it is the Imperial Dragon) claws on each foot the Japanese dragon has only three.
Japanese dragons are less aerial than other Asian dragons but like those on mainland Asia they are intimately associated with water and the sea in particular. Most Japanese dragons are benevolent towards mankind but if treated with disrespect they can wield god like power. An angry dragon could cause earthquakes, tsunami, typhoons, floods or droughts. The length of the largest dragons are measured in miles. Asian dragons rarely breathe fire but their breath condenses and forms rain.
Japanese dragons hatch from eggs that resemble gems. They take 3000 years to hatch. Unlike the Chinese dragon with its long, staged development in several forms, Japanese dragons generally grew to a great size almost as soon as they hatched. In some stories snakes grow into dragons.
Japanese dragons hatch from eggs that resemble gems. They take 3000 years to hatch. Unlike the Chinese dragon with its long, staged development in several forms, Japanese dragons generally grew to a great size almost as soon as they hatched. In some stories snakes grow into dragons.
Some legends contradict this and have Japanese dragons evolving through stages like their Chinese cousins. A standard dragon changes into a Kakuryu, a horned dragon after 500 years. A Kakuryu changes into an Ouryu, a yellow, winged dragon after 1000 years. The Ouryu is defined as the highest form of a dragon.
Black dragons guarded the north, red ones the south, white the west and blue the east. The yellow dragon ruled the center. Four great dragon kings governed various aspects of the world. They were the Celestial Dragon, the Hidden Treasure Dragon, the Earth Dragon and the Spiritual Dragon.
The Zuiryuji Temple in Osaka houses a small stuffed dragon several hundred years old. It seems to be a composite of eel, lizard and bird.
Despite the many dragon legends and their spiritual significance in Japan, dragon mummies are rare. This is perhaps because of the large size of the creatures made them difficult for early taxidermists to fake short of getting their hands on a dead crocodile
Saturday, May 30, 2009
RICHARD FREEMAN: Yokai exhibition at the Royal Academy
UTAGAWA KUNIYOSHI, JAPAN’S MASTER OF THE MACARBRE AND MONSTEROUSRichard Freeman
Anyone who knows me will tell you I have an obsession with Japan, and in particular it’s folklore. My next book ‘The Great Yokai Encyclopaedia’ (due out later in the year) is an A to Z of Japan’s monsters. Japanese monsters or yokai a
re mindbendingly weird, but I won’t give too much away here, you will have to buy my book!The Royal Academy of Art is currently (until the 5th June) holding an exhibition of the work of Utagawa Kuniyoshi, one of the most celebrated Japanese artists of all time, and one who excelled in painting yokai.
Of course, as a yokai obsessive, I had to go. In fact I visited the exhibition twice. It was an eye-popping experience.
Utagawa Kuniyoshi was born in 1797, the son of a silk dyer. By the age of twelve he was producing impressive drawings that caught the attention of the renowned artist Utagawa Toyokuni whose studio he joined. He worked in the Ukiyo-e style of woodblock art. Ukiyo-e, or ‘The Floating World’ was a genre that transended the mundane, everyday world. It revolved around pleasure, entertainment and living for the moment. Kuniyoshi was one of the first Japanese artists to use the more brightly coloured western dyes and paints in his pictures. He was also the first to incorperate western perspective in his work. This made him unpopular with critics. He was, however, massivly popular with the ge
neral public. So much so that there were even Kuniyoshi pirates who did knock-offs of his prints!Kuniyoshi had a number of themes to which he returned again and again. One was great warriors from history and legend. He painted the heroes of the Chinese classic tale The Water Margin in spectacular action poses. He was also fond of painting beautiful women from history, folklore and from contempory life. But it is for his grotesque monsters and ghosts that he is most famed.
A nuber of pictures depictiong yokai were on show in the exibition. One of the most spectacular shows th
e horrific Gashadokuro, a giant cannibal skeleton. It is 90 feet tall and created from the bodies of those who died in famines. Gashadokuro bites the heads off its victims and its coming is heralded by a ringing in the ears. The painting depicts a story from the 10th century in which a provincial worlord called Taira-no-Masakado led a coup against an outpost of the central government untill he was killed by his cousin Sadamori. He was dismembered and beheaded as a warning to others.Taira-no-Masakado’s head carried on living. It leered and laughed and eventualy flew away. His daughter, outraged at the treatement of her father’s body, prayed at the ancient Kifune Shrine in Kyoto untill her outrage was given form in a in a monsterous skeleton.
In another picture we see the renowned hero Yorimasu doing battle with the Nuẽ, a sort of Japanese Chimera. The Nuẽ has the head of a monkey, the legs of a tiger, the body of a tanuki and the tail of a snake. In 1135 the Emperor Konoe whilst at his palace in Kyōtō began to suffer dreadful nightmares. He became very ill and it was noticed that a black cloud appeared on the palace roof at 2 am each morning. The Minamoto hero Yorimasu shot an arrow into the cloud. Out of the dark miasma fell a dead Nuẽ.
Yorimasu threw the weird carcass into the Sea of Japan. The body washed ashore in a bay and the locals, fearing a curse buried it. The mound under which the Nuẽ lies is still there today, but to my knowledge no one has ever excavated it.
Yorimasu features in another spectacular work by Kuniyoshi in which he battles the titanic earth spider or Tsuchigumo. Once the great Yorimitsu fell ill and was confined to his mansion in Kyoto. He had many servants so it did not bother him that he did not recognize the boy who brought him medicine at midnight. But as the days drew on Yorimitsu became more and more ill, and suspected the boy of poisoning him.
One night Yorimitsu attacked the boy and slashed him with his sword. The youth spat a vast web about the warrior and bound him to the bed. One of Yorimitsu’s lieutenants heard the commotion and ran to his aid. He met the boy in the corridor and once again the strange youth sprayed out a giant web, pinning the man down whilst he made his escape.
The boy was tracked to a cave, where his true form - that of a giant spider - was descovered. The monster was overcome and slain. At the monster spider’s death it’s vast webs disintigrated and Yorimitsu’s strange ailment vanished.
Another story has the Tsuchigumo manifesting as a beautiful woman leading an army of yokai. Yorimitsu and his friends do battle with the bestial hord. Yorimitsu hacks at the woman and her followers vanish as if an illution. The hero follows the woman to a cave were she transformes into a monsterous spider. After a desperate struggle Yorimitsu slashes her asunder. Even in death the Tsuchigumo vomits forth hundreds of spiders the size of human infants from it’s innards. Yorimitsu and his retainers claim claim total victory only after having made sure every last one is slain. Yorimitsu was wielding a sword named "Kumokirimaru" (spider-cutter).
Both stories feature in the exhibition. In the former we see the earth spider, its bloated body covered in eye-like markings, bearing down on the hero and entwining him in its web. In the second we see the Tsuchigumo vomiting forth, not just spiders but a whole army of spirits and monsters.
In anothe
r jaw-dropping picture we see a whale-sized fish shashing the boat of the samuri Minamoto no Tametomo. Winged bird men or tengu swoop down to snach him from the waves that are engulfing his wife and child.From a cryptozoological view point the most intresting painting was Asahina Saburo and the crocodiles. It shows a Japanese warrior in battle with two crocodiles on a beach in Japan. Crocodiles are not native to Japan but are known to the Japanese as wani. In fact the huge Indo-pacific crocodile has been known to occasionally stray into the waters around the southernmost Japanese islands. German traveler Englebert Kaemfer encountered a dragon worshiped in a Japanese temple in 1690. He tells us that he saw…
“A huge four footed snake, scaly all over the body like a crocodile with sharp prickles along the back; the head beyond the rest monstrous and terrible.”
From his description the creature seemed to be a crocodile. He even refers to a crocodile in his description. Kaemfer had almost certainly not viewed a living crocodile prior to this.
However the creatures doing battle with Asahina Saburo have turtle-like fins that make them look more like Mosasaurs than crocodiles. This could be, of course, that Kuniyoshi had never seen a crocodile and was filling in the gaps in his knowlage with his imagination, but you never know.
In a more sedate and muted picture Kuniyoshi depicts Arhat Handaka, a spiritual hero and Guardian of the Buddhist Doctrines, summoning a rain dragon from a rice bowl.
These are only a handful of the monsters that Kuniyoshi depicted in his long career. I would urge anyone in the UK to hurry down to the Royal Academy of Arts and see this amazing exibition whilst you still can.
Saturday, March 21, 2009
RICHARD FREEMAN: SNAKES IN THE GRASS ARE ABSOLUTELY FREE

The ‘flat snake’, a yokai that may have its roots in reality. Tsuchinoko is reported to be one to three feet long with a dorso-ventraly compressed body. It has horn like ridges above the eyes and dorsal pits. The head is triangular and the neck well defined. It is thought to be venomous. It is described as being black or rust coloured. It is supposed to have an odor like chestnut tree flowers!
In legend it has a liking for alcohol, can speak and can hold it’s tail in its mouth and roll along like a hoop (such stories are common in western snake legends as well). It is also said to progress in a series of hopping motions.
The creature is known as Bachi hebi in Northeastern Japan and tsuchi-hebi. It is also said to live in Korea. This yokai has a long history. Drawings resembling Tsuchinoko on stoneware dating back to the ancient Jōmon Period (14,000 BC to 300 BC.) have been discovered in Gifu and Nagano. An encyclopedia from the Edo Period contains a description of the tsuchinoko under the name Yatsui hebi. Accounts of the Tsuchinoko can also be found in the Kojiki, Japan’s oldest surviving book from 680 AD.
But this is a yokai that is still reported in modern times. In June, 1994, 73 year old Kazuaki Noda was cutting grass with his wife when they came across a huge snake with a thick body like a beer bottle and a head described as being like that of a tortoise.
On May 8th, 2000, 90 year old farmer Sugie Tanaka was out looking for bamboo shoots in Mikata, Hyogo prefecture, when she happened across two metallic coloured snakes with what she described as “tails like rats.”
On May 21st 2000 in Yoshi, Okayama prefecture, a farmer cutting grass saw one of these weird serpents slithering across his field. He said it’s face reminded him of the popular Japanese cartoon cat Doraemon. He slashed at it with his weed whipper but it escaped into a stream. He said he had heard of the creatures before and thought they make a kind of chirping sound.
Four days later seventy two year old Hideko Takashima found the creature’s body lying beside a stream. Government officials collected the body and sent it to Kawasaki University of Medical Welfare to be examined. Professor Kuuniyasu Saton examined and said that the creature may indeed have been the beast referred to as Tsuchinoko in ancient legends but “scientifically speaking, it was a kind of snake.”
If the professor ever established the species or if it was indeed a new species is unknown.
A live Tsuchinoko was reportedly captured in Mikata on June 6th, 2000. It was supposedly put on display in a glass box in the Mikata’s visitor center. It may well have been a hoax to drum up publicity for the Tsuchinoko hunts held each year in the area.
Also in June, 2000. 82 year old Mitsuko Arima saw a Tsuchinoko swimming along a river. She described its eyes as being the most striking feature, saying “I can still see the eyes now. They were big and round and it looked like they were floating on the water.” She added “I’ve lived for over 80 years but I’ve never seen anything like that in my life.”
Other supposed bodies of this animal have turned up. In Mikata, (the area said to have the highest concentration of sightings in Japan) a corpse was found by four loggers in the Spring of 2001. The body was actually turned over to the Japan Snake Center in Gunma prefecture, where an analysis was done on it that confirmed it as a common grass snake. Another body was found by a villager near Mikata around the same time in May that year, and it too was turned in to the same center for examination. It was determined to be a rat snake.
Back in 1969 A live Tsuchinoko was reportedly captured in by an M. Tokutake in Mikata. He supposedly captured it with a forked stick and kept it for a couple of days before deciding to eat it.
According to Naoki Yamaguchi, who has interviewed over 200 eyewitnesses and is author of the book Catching the Illusory
Tsuchinoko, the specially organized mass searches are of little use. The searchers do not go far enough into the wilderness. Most sightings are by hikers, fishermen and loggers.If Tsuchinoko is a real creature then it seems probable to me that it is an aberrant species of pit viper (Crotalinae). The flattening of the body could enable the snake to hide in rock crevices. There is a president for thin in reptiles. The chuckwalla (Sauromalus) are a genus comprising of five species of Iguanid lizards of the arid areas of the southern USA.
The Pancake tortoise (Malacochersus tornieri) of eastern Africa has a flattened shell so it can slide into crevices. It is not impossible that Japan, a country with a surprising number of snake species) plays host to an undiscovered pit viper of unique form and one of the most ancient yokai is in fact very real.
Saturday, January 31, 2009
FREE DOWNLOADS: Picture of collectable monster toys, courtesy John "Brojo" Wooldridge.
The CFZ, as most of you know is a very serious organisation populated by very serious people. However, nobody can remain serious all the time, and there is a fun side to cryptozoology too.
Monster in my pocket were very popular when I was a kid so I was greeted by a wave of nostalgia when CFZ member John Woodridge from Montana in the USA emailed us his photographs of cryptozoological toys he’s collected. Among them are also several Japanese monster toys, among them some particularly cool looking ones of mothman that were very reminiscent of pokemon in their appearance.
Pokemon are perhaps my personal favourite cryptozoological toy as I got hooked on the Nintendo game when I was younger, and still enjoy the odd pokemon battle on my Nintendo DS. Many pokemon were based on cryptids and monsters from Japanese folklore called yokai. More information can be read about yokai in Richard Freeman’s encyclopaedia on the subject, being released soon by CFZ Press.



