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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Thursday, November 29, 2012

KARL SHUKER: CATS OF MAGIC, MYTHOLOGY, AND MYSTERY - IT'S HERE! AVAILABLE TO PRE-ORDER AT LAST!



My latest book, Cats of Magic, Mythology, and Mystery: A Feline Phantasmagoria (CFZ Press: Bideford, 2012), 322 pages long, almost 300 illustrations, and in full colour throughout, is now available to pre-order!!

Wednesday, December 07, 2011

ROBERT SCHNECK: Victorian Scylla

Dear Jon,

I came across this remarkable, vaguely Lovecraftean representation of Scylla, as in 'Scylla and Charybdis', by the British illustrator Henry Justice Ford (1860-1941). I've never seen anything quite like it and thought CFZ readers would feel the same way.

Saturday, April 17, 2010

HARRIET WADHAM: Greek Mythology

It is with great pleasure that we welcome back one of my favourite bloggo columnists, Harriet Wadham who at the age of ten is often more erudite than some people that I could mention three or four times her age....



First of all, sorry it took so long to get this blog done! Secondly, time to get started on the topic... of Greek Mythology.


The first tale we are going to get started on today is Zeus. Most of the pictures drawn of him represent him as a white-haired, big-bearded man; however, drawings of Zeus pictured as a young, muscled man do occasionally crop up. Actually, forget the occasionally bit. They just crop up, okay???!!! Zeus has a bit of trouble with his love affairs, though, which really angers his wife, Hera (who we’ll get around to sooner or later). So Hera throws a wobbler, and Zeus gets angry at her for messing up their palace (or whatever gods/goddesses do when they’re in a mood), and begins throwing lightning bolts. Ta da!!! There is your average ancient Greek storm. These happen whenever Zeus gets angry (or just really bored).


Now onto the really famous Titan, Prometheus, who’s our favourite because he gave us fire when the god Jupiter (or Zeus; there are a few stories which say it was Zeus, and a few stories which say it was Jupiter, so let’s stick with him) couldn’t care less about us, and thought that if we had fire and tools and everything then we would rise up against them. So Prometheus vowed to help the humans, and brought them fire from the Sun and taught them how to... well, be more civilised really. Jupiter saw this and decided to make the humans’ lives ten times worse, and created pulchritudinous, perfect, prying Pandora, and her mysterious box, got her married to Prometheus’ brother, Epimetheus, and then she got all curious, opened the box, stopped the evil thingy called Foreboding from getting out, and you know the rest. Then, Jupiter dealt with Prometheus.


He bade his strongest servants go forth and capture Prometheus, then had him chained to a rock and have his liver eaten out by an eagle every day. Ouch. Soon enough, Prom’s buddy Hercules came along, broke his chains, killed the birdie, and all was well la la la.


So as I promised, let’s get to Hera, the last main mythical character I’ll focus on today. She was originally, as some stories say, Zeus’ sister and she fell in love with him as soon as she saw him. (How weird). Another variation is that Zeus seduced her, by way of pretending to be a soggy cuckoo bird sheltering from a storm in her lap, or one of his other Zeus-y ways. She is the goddess of love, watching over relationships and weddings to see they go smoothly, or if a couple are on the point of breakup, she uses all her skills to ensure that they fall in love again.


To conclude my blog, I just want to say thank you to some people:



  • Jon Downes, for letting me put blogs on his wonderful website

  • All the people who take the time to read my blogs and encourage me to write some more

  • My family, for helping me use my noggin and think about what I’m going to write next

  • My teacher for unsuspectingly giving me sentence openers and good vocabulary to use in my work for the CFZ blog pages

  • And last but definitely NOT least, my mum for taking me to the Weird Weekend and inspiring me to write
    this.

Wednesday, March 04, 2009

OLL LEWIS: Penllyn Is In My Ears And In My Eyes



A few of you will probably be aware that one of my internet nom de guerres is ‘gwiber’ and I’ve actually been asked a few times what it means.

A gwiber (pronounced ‘why-bur’) is a type of wing-ed serpent said to be found almost exclusively in Wales. In folklore they range in size from fairly small beautiful creatures to great big monsters that are often said to protect a hoard of treasure and sometimes, if a would-be slayer is lucky, a particularly attractive maiden. They are the original form of the Welsh dragon, the four legged red ‘Ishtar gate’ style dragon that features on today’s Welsh flag is a modern creation that came into being sometime after the crusades. The use of the red dragon as a symbolic representation of Wales according to folklore came from Merlin’s prophesy relating to a red gwiber and a white gwiber he saw fighting. After the victory of the red gwiber Merlin proclaimed that the original people of Britain would eventually defeat the invading Saxons while fighting under a red dragon, this came to pass with the ascension to the throne of Henry Tudor (Henry VII), a direct descendant of Welsh royalty after his victory over the English king Richard III. However, the gwiber was a symbol of the British people long before this legend was supposed to have taken place but, you’ll have to come to watch my talk at this year’s Weird Weekend in August (tickets are available now by the way) to learn more about that…

There hundreds of gwibers mentioned in Welsh folklore, from all over the principality, differing in size and ferocity. Often, due to the nature of folklore it is impossible to offer all but the vaguest date ranges to when the animals were meant to have been seen, let alone verify if the sighting even happened in the first place or what animals might have been seen. There have however been gwibers seen in fairly modern times and one witness was interviewed by Marie Trevelyan some years before she published her 1909 book ‘Folklore and Folkstories of Wales’:

“The woods around Penllyne Castle, Glamorgan, had the reputation of being frequented by winged serpents, and these were the terror of old and young alike. An aged inhabitant of Penllyne, who died a few years ago, said that in his boyhood the winged serpents were described as very beautiful. They were coiled when in repose, and "looked as though they were covered with jewels of all sorts. Some of them had crests sparkling with all the colours of the rainbow." When disturbed, they glided swiftly, "sparkling all over," to their hiding places. When angry, they "flew over people's heads, with outspread wings bright and sometimes with eyes, too, like the feathers in a peacock's tail." He said it was "no old story," invented to "frighten children," but a real fact. His father and uncles had killed some of them, for they were "as bad as foxes for poultry." This old man attributed the extinction of winged serpents to the fact that they were "terrors in the farmyards and coverts.”

Parts of the description make the animals sound very unlikely to say the least but never the less, last year I went to the woods around Penllyn, to see if I could find any trace of these creatures or, more likely, existing animals in the woods that these tales could have been based upon. Upon my arrival to Penllyn the first thing I noticed was just how quiet the village was. I live in a slightly larger village and no matter where you walk, or what time of the day, you always see someone out and about, weather they are walking a dog, off to the shop or pub or just posting a letter. Penllyn was different. During my wanderings around the village itself all I saw was the occasional car passing though and the gravestones of the local church, the only sign of current habitation was the village noticeboard and the well kept and tidy nature of the place. Perhaps I was unlucky and went on a day when all the residents were busy, but this meant that there was nobody in the village itself I could ask about local fauna or if they had heard about their village’s cryptozoological claim to fame.

So I headed off to the woods. In the woodland I was surprised to encounter the same quietness I had in the village, there was almost no bird song. I wandered through the woods, lifting up stones and logs and investigating the leaf litter but the only animals to be found were woodlice worms and other invertebrates and certainly nothing that could have been mistaken for a brightly coloured snake, let alone a winged one. I did find some eerie looking ruins, but if there was anything of cryptozoological note in the woods I didn’t find it that day. Before I left Penllyn I had one last avenue to pursue; Penllyn castle. Unfortunately the family living in the castle did not want to be interviewed by me, as they ‘don’t want publicity’ and neither did they want me taking any photographs while on site. This was strange considering they had had scenes from the Doctor Who episode ‘Tooth and Claw’ filmed there recently, but you have to respect people’s wishes. I explained that I was there for scientific reasons and wasn’t from ‘Heat magazine’ or something and left my business card with them but I never did hear back from them.

So did gwibers even exist in Penllyn? Or were they just folktales? Well there is certainly no evidence for them that has been unearthed yet other than stories and fantastical claims, so if I had to bet either way I’d say they probably did not, or at least not in the way they were described. Feathers on a snake would be odd indeed because there is no president for this and snakes are very far removed from dinosaurs and birds in evolutionary terms, but if an account was just talking about ‘wings’ on a snake and made no mention of feathers then it could be argued that it might be referring to something like a cobra. Real or not gwibers and other Welsh dragon legends are a huge part of Welsh folklore and very compelling creatures.

Thursday, February 05, 2009

GUEST BLOGGER CHRISTOPHER BONNETTE: Monsters in Art

Monsters have been around as long as man, probably even longer. From legends, prophecies on cave walls, and to present day, monsters are found in every culture.

I have always been interested in odd and bizarre creatures. Whether it is made up Hollywood monsters or actual cryptids, I find them all fascinating. I believe it was the Ray Harryhausen films Jason and the Argonauts (1963) and Clash of the Titans (1981) that really got me into mythology. After seeing those movies I bought up all the classic mythology books I could find.

My brother, who is 10 years older than me, would force me to watch scarymovies late at night. Of course it would always lead to nightmares. I occasionally still get night terrors. However, I have built up a tolerance to monsters. I now love them and pursue to make a career illustrating them. I want to update the pictorial history on the creatures of legends.

I try to create the illustration as accurate as possible but still keep them whimsical, stylish, and modern. If the image is not fully accurate to its original description, I will state it as an artistsinterpretation. No one knows exactly how these creatures may have looked. I am dedicated to keeping the tales of the past known so they are notforgotten. I still hold the hope that mankind has a lot left to discover.

I am now at number 38 in a series of 100 paintings that I hope to publish it into a book. After seeing the response of the mythological paintings on the site (http://www.macula.tv/main.htm), I am sure it will go way past 100 and continue for the rest of my life.

To get children to like monsters I have started a series of papercraft to go along with the paintings. Several schools from around the world now know the tale of the Krampus. I have also included tutorials to help them build each creature. Children and adults alike have fun crafting and learning about fantastic creatures.I have also been lucky enough to make new friends due to this project. With the help of Richard Freeman a real cryptozoologist I can get the facts on cryptids as accurate as possible. So stop on by and have funbuilding and learning about things that go bump in the night.

Christopher Bonnette

Thursday, January 29, 2009

GUEST BLOGGER RICHARD FREEMAN: Crocodile Cults. Part 3: Australiasia and the New World

Guest Blogger time for Richard Freeman again. As you are probably beginning to guess, the boy Freeman has crocodiles on the brain. He is travelling up to the north of England this week to give a talk at a newly opened spooky bar in South Shields. However he has left us with a treat - a three part article about crocodile cults around the world.

Papuans along the Sepik River in New Guinea credit the crocodile as the great creator of all things. He cased the first dry land to appear from the primal waters. He formed a crack in the earth and mated with it. From that crack, all animals and men came forth. When he opened his jaws, the upper jaw became the sky and the first dawn occurred.

The Itamul people also tell of how crocodiles roamed around the new earth founding villages. They carve crocodile heads on their canoes and statues of crocodile headed men.

Skulls of crocodiles are often kept in men’s cult houses and given offerings of betel nuts. During the initiation of Itamul youths into manhood, they are said to be swallowed by the primal crocodile who spits them out as men. Their shoulders and torsos are subjected to ritual scarification. These, to the uninitiated, are the marks of the crocodile’s teeth.

Crocodiles are powerful totems and the consequences of breaking the totemic relationship can be fatal. A well-known folk hero is Yali of Sor, leader of the Madang cargo cult. Whilst in the jungle a comrade of Yali killed a crocodile. Without the protection of the totem Yalis` friend became lost in the bush and died.

In Northern Australia there is an Aboriginal legend of how the crocodile first came into being. The story goes that a group of people were being transported across a river in a boat. An old man was waiting to be taken across the river. The boat came and went, picking up more people, but ignoring the old man. Eventually he became so angry he leapt into the water and turned himself into a crocodile. From then on crocodiles have always attacked boats.

The Gunwinggu people of Arnhen land believe that the Liverpool River was chewed out of the land by a giant crocodile who rose up inland behind the mountains and proceeded to munch his way out to sea.

Another Dreamtime story has the crocodile or Gumangan and the plover Birik-birik creating fire. The pair travelled together carrying with them the world’s only fire sticks that they rubbed together to create fire. One day they camped by a river and the crocodile decided to go hunting. The lazy plover declined to join his friend so the crocodile instructed him to make a fire whilst he was gone so that they could cook their meal.

When crocodile returned he found the plover asleep and no fire lit. He was so angry that he seized the fire sticks and threw them into the river. The plover quickly grabbed the sticks and flew away into the hills. From then on crocodiles lived near the water and plovers in the hills.

Oddly the bone-idle plover is thought of as the hero of this story for saving the fire sticks!

THE NEOTROPICS

The Olmec culture of Eastern Mexico had a crocodile deity. It was associated with good harvests. They seem to have passed on crocodile worship to other peoples. The Mayan god of death Ah, Puch was portrayed as a crocodile. Despite being a death god his image is also associated with crops. The Myans saw him as carrying the world upon his back.

Later the Aztecs still held the link between crocodiles and crop fertility. Their crocodile god Cipactli was an agriculture deity. Another crocodile god Tlaloc was thought to be responsible for bringing rain. This last facet is of particular interest when we remember how dragons are associated with the creation of rain and the control of water in the Orient.

William Homes, a 19th century anthropologist, lived with the Chiriqui tribe in Panama. He was able to trace the development of their ancestral crocodile god into a dragon like beast akin to the creatures of western myth. The monster decorated much of their contemporary pottery.

Further south the Montana people of Peru believe that carrying a crocodile tooth protects them from poison. Several tribes from the Pomeroon River basin in Guyana believe that they are descended from caiman. The story goes that the Sun was a keen fisherman and was upset that the fish in his ponds kept disappearing. He appointed the caiman to guard the ponds, unaware that the caiman was actually the one stealing the fish. When he discovered the caiman’s chicanery the sun slashed his back creating his scales. To make amends the caiman offered to give his daughter to the Sun as a wife. The caiman carved out a woman from a tree trunk. His friend the woodpecker hollowed out a vagina for the woman. When the Sun, a snake, emerged from the woodpecker’s hole he realised the woman was fertile. The carved woman bore the Sun twins who ultimately gave rise to humanity.

NORTH AMERICA

Only two species of crocodilian occur naturally in North America. The American crocodile, at the very north of it’s range reaches southern Florida. The American Alligator is more widespread but is still confined to the warm southeastern states. There is one well known legend among the Choctaw Indians.

There once was a man who had very bad luck when he hunted. Although the other hunters in his village were always able to bring home deer, this man never succeeded.

He was the strongest of the men in the village and he knew the forest well, but his luck was never good. Each time he came close to the deer, something bad would happen. A jay would call from the trees and the deer would take flight. He would step on dry leaves and the deer would run before he could shoot. His arrow would glance off a twig and miss the deer. It seemed there was no end to his troubles. Finally the man decided he would go deep into the swamps where there were many deer. He would continue hunting until he either succeeded or lost his own life. The man hunted for three days without success. At noon on the fourth day, he came to a place in the swamp where there had once been a deep pool. The late summer had been a very dry one; however, and now there was only hot sand where once there had been water. There, resting on the sand was a huge alligator. It had been without water for many days. It was so dry and weak that it was almost dead. Although the hunter's own luck had been bad, he saw that this alligator's luck was even worse."My brother," said the man, "I pity you." Then the alligator spoke. Its voice was so weak that the man could barely hear it. "Is there water nearby?" said the alligator."Yes," said the man. "There is a deep pool of clear cool water not far from here. It is just beyond that small stand of trees to the west. There the springs never dry up and the water always runs. If you go to that place, you will survive."

"I cannot travel there by myself," said the alligator. "I am too weak. Come close so I can talk to you. I will not harm you. Help me and I will also help you."

The hunter was afraid of the great alligator, but he came a bit closer. As soon as he was close, the alligator spoke again. "I know that you are a hunter but the deer always escape from you. If you help me, I will make you a great hunter. I will give you the power to kill many deer." This sounded good to the hunter, but he still feared the alligator's great jaws. "My brother," the man said, "I believe that you will help me, but you are still an alligator. I will carry you to that place, but you must allow me to bind your legs and bind your jaws so that you can do me no harm."

Immediately the alligator rolled over to its back and held up its legs. "Do as you wish," the alligator said. The man bound the alligator's jaws firmly with his sash. He made a bark strap and bound the alligator's legs together. Then, with his great strength, he lifted the big alligator to his shoulders and carried it to the deep cool water where the springs never dried. He placed the alligator on its back close to the water and he untied its feet. He untied the alligator's jaws, but still held those jaws together with one hand. Then he jumped back quickly. The alligator rolled into the pool and dove underwater. It stayed under a long time and then came up. Three more times the alligator dove, staying down longer each time. At last it came to the surface and floated there, looking up at the hunter who was seated high on the bank."You have done as you said you would," said the alligator. "You have saved me. Now I shall help you, also. Listen closely to me now and you will become a great hunter. Go now into the woods with your bow and arrows. Soon you will meet a small doe. That doe has not yet grown large enough to have young ones. Do not kill that deer. Only greet it and then continue on and your power as a hunter will increase."

The alligator continued, "Soon after that you will meet a large doe. That doe has fawns and will continue to have young ones each year. Do not kill that deer. Greet it and continue on and you will be an even greater hunter." Then he said, "Next you will meet a small buck. That buck will father many young ones. Do not kill it. Greet it and continue on and your power as a hunter will become greater still. " The alligator then said, "At last you will meet an old buck, larger than any of the others. Its time on Earth has been useful. Now it is ready to give itself to you. Go close to that deer and shoot it. Then greet it and thank it for giving itself to you. Do this and you will be the greatest of hunters."

The hunter did as the alligator said. He went into the forest and met the deer, killing only the old buck. He became the greatest of the hunters in his village. He told this story to his people. Many of them understood the alligator's wisdom and hunted in that way. That is why the Choctaws became great hunters of the deer. As long as they remembered to follow the alligator's teachings, they were never hungry.