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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Thursday, October 03, 2013

CRYPTOLINK: Bush balladry laments extinction

A word about cryptolinks: we are not responsible for the content of cryptolinks, which are merely links to outside articles that we think are interesting (sometimes for the wrong reasons), usually posted up without any comment whatsoever from me.


They Saw a Thylacine.
They Saw a Thylacine is a poignant, theatrical tale with a moral message on conservation.
Reviewer rating:
Rating: 4 out of 5 stars
Sarah Hamilton and Justine Campbell
Rehearsal room, North Melbourne Town Hall, until October 5
The current mass extinction is unlike the other five in the history of the planet. Humans are here to witness it, to contribute to it, and we have the knowledge, if not the collective desire, to help ameliorate it.
Such is the moral intensity behind They Saw a Thylacine, as it sets up two competing echoes of the extinction of the Tasmanian tiger, which survived into the age of silent cinema and continues to haunt the Australian imagination.
Sarah Hamilton and Justine Campbell tag-team through the thylacine's final days, in a rather beautifully crafted poetic text that achieves the galloping dramatic action of bush balladry, even adopting a loose rhyming scheme without sounding affected.
In one strand, a zookeeper's daughter keeps vigil over the last thylacine in captivity in the 1930s. She has been barred from taking over the zoo because she's a woman and must watch helplessly as ignorant labourers hired during the Depression shirk their duties, with inevitable results. In the other, a bushie's daughter hunts a thylacine in Tasmania, hoping to claim a rich bounty for a live specimen. She runs into competition, but is determined to stay in charge, even if it means letting her quarry go free.


Read on...

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