WELCOME TO THE CFZ BLOG NETWORK: COME AND JOIN THE FUN

Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Wednesday, April 08, 2015

FORTEAN ART TERRORISM: I try to explain

Who is Xtul? What is Xtul? Why is Xtul?

Some people have written to me expressing confusion about Xtul, and what it is doing on this blog or on Facebook.  I would like to say that the answer is simple, but I am afraid that nothing to do with Xtul is simple.

It is an art project, it is a serial, it is a story, it is a peculiar music ensemble, it is a political movement, it is a way of life, it is your worst nightmare.  It is all, or none, or some of these things. It has a website, an EPK, a Facebook page, and if you feel like supporting it, there is even a Patreon page that all the throngs of people who read it, and there are more than you might ordinarily think, have so far singularly failed to support.


C'mon, be a gent.....

TODAY'S BIG CAT NEWS

The hunt for British Big Cats attracts far more newspaper-column inches than any other cryptozoological subject. 

There are so many of them now that we feel that they should be archived by us in some way, so we are publishing a regular round-up of the stories as they come in. 



The worldwide mystery cat phenomenon (or group of phenomena, if we are to be more accurate) is not JUST about cryptozoology. At its most basic level it is about the relationship between our species and various species of larger cat. That is why sometimes you will read stories here that appear to have nothing to do with cryptozoology but have everything to do with human/big cat interaction. As committed Forteans, we believe that until we understand the nature of these interactions, we have no hope of understanding the truth that we are seeking.

  • NEWSLINK-UK -LYNX POSSIBLE SIGHTING-Big cat expert...
  • video-BIG CAT SEEN AT BESTIVAL SITE
  • video-Meet Canyon the SAND CAT!
  • video-Are Domestic Cats Like Tigers?
  • video-BIG CATS like boxes too!
  • video-Big Cat seen on Campus-

  • NEWSLINK -BIG CAT SIGHTING UK-Have you seen Farnle...
  • FORTEAN BIRD NEWS FROM THE WATCHER OF THE SKIES

    What has Corinna's column of Fortean bird news got to do with cryptozoology?

    Well, everything, actually!

    In an article for the first edition of Cryptozoology Bernard Heuvelmans wrote that cryptozoology is the study of 'unexpected animals' and following on from that perfectly reasonable assertion, it seems to us that whereas the study of out-of-place birds may not have the glamour of the hunt for bigfoot or lake monsters, it is still a perfectly valid area for the Fortean zoologist to be interested in.


    THE GONZO BLOG DOO-DAH MAN RUNS ABOUT IN THE SHRUBBERY

    The Gonzo Daily - Wednesday
     
    One of the most welome developments in the pop culture of the past twenty years has been the totally unexpected resurrection of Brian Wilson as a creative force to be reckoned with. OK, I am not a fan of his Disney album, and as I dislike what is euphemistically known as the 'Festive Season' and I am not particularly enamoured of his Christmas album, although I will admit that it is head and shoulders above most music in that unlovely genre. His Gershwin album was pretty good, but all his records of original material, and the album he wrote for The Beach Boys' 50th anniversary record have been excellent.
     
    Now there is a new Brian Wilson solo album, his first of predominantly original material since 2008's 'Lucky old Sun', and I have been playing it fairly heavily for the past few days. What is it like? I'm not sure yet...
     
     
    The Gonzo Weekly #123
    www.gonzoweekly.com
     
    Cream, Kansas, Jack Bruce, Eric Clapton, Ginger Baker, Viv Albertine, The Slits, Daevid Allen, Hawkwind, Jon Anderson, and Yes fans had better look out!
     
    The latest issue of Gonzo Weekly (#123) is another bumper one at 92 pages and is available to read at www.gonzoweekly.com, and to download at http://www.gonzoweekly.com/pdf/. It has Cream on the cover, and inside yours truly pontificates on the band's legacy while Tony Palmer remembers filming their farewell show back in 1968. Doug writes about proggers Kansas, and Jon critiques the new autobiography by Viv Albertine of The Slits. We look at just a few of the many tributes to Daevid Allen, and send the Gonzo Customer Service guy to a Desert Island. Neil Nixon reports on an even stranger album than usual, Wyrd goes avant garde, Xtul gets even more peculiar,  and there are radio shows from Strange Fruit and from M Destiny at Friday Night Progressive, and the titular submarine dwellers are still lost at sea, although I have been assured that they will hit land again soon. There is also a collection of more news, reviews, views, interviews and pademelons trying to choose (OK, nothing to do with small marsupials having difficulty in making choices, but I got carried away with things that rhymed with OOOOS) than you can shake a stick at. And the best part is IT's ABSOLUTELY FREE!!!
     
    This issue features:
     
    Cream, Ringo Starr, SXSW, Beastie Boys, Sonic Youth, Blur, Daevid Allen, James Murphy, Galahad, Strange Fruit, Friday Night Progressive, John Renbourn, Anthony Pero, Michael Porcaro, Bruce Crump, Jackie Trent, Tommy James, Mick Abrahams, Firemerchants, Dee Palmer, Atkins May Project, Wagner, Hawkwind, Karnataka, Paul Buff, Frank Zappa, Charli XCX, Garth Brooks,5 Seconds of Summer, Ed Sheeran, Tony Palmer, Kansas, Steve Lavelle, HaWkwind, Yes, Viv Albertine, Xtul, Fairport Convention, Belle and Sebastian,Neil Nixon, Alberto y Lost Trios Paranoias, Beatles,Rolling Stones, Michael Jackson, 1D, Elvis, Micky Dolenz, Tom Jones,  Golden Resurrection, Indicco, Myrath
     

    Read the previous few issues of Gonzo Weekly:
     
     
    All issues from #70 can be downloaded at www.gonzoweekly.com if you prefer. If you have problems downloading, just email me and I will add you to the Gonzo Weekly dropbox. The first 69 issues are archived there as well. Information is power chaps, we have to share it!
     
    You can download the magazine in pdf form HERE:
    http://www.gonzoweekly.com/pdf/
     

    * The Gonzo Daily is a two way process. If you have any news or want to write for us, please contact me at jon@eclipse.co.uk. If you are an artist and want to showcase your work, or even just say hello please write to me at gonzo@cfz.org.uk. Please copy, paste and spread the word about this magazine as widely as possible. We need people to read us in order to grow, and as soon as it is viable we shall be invading more traditional magaziney areas. Join in the fun, spread the word, and maybe if we all chant loud enough we CAN stop it raining. See you tomorrow...
     
    * The Gonzo Daily is - as the name implies - a daily online magazine (mostly) about artists connected to the Gonzo Multimedia group of companies. But it also has other stuff as and when the editor feels like it. The same team also do a weekly newsletter called - imaginatively - The Gonzo Weekly. Find out about it at this link: www.gonzo-multimedia.blogspot.com/…/all-gonzo-news-wots-fit
     
    * We should probably mention here, that some of our posts are links to things we have found on the internet that we think are of interest. We are not responsible for spelling or factual errors in other people's websites. Honest guv!
     
    * Jon Downes, the Editor of all these ventures (and several others) is an old hippy of 55 who - together with an infantile orange cat named after a song by Frank Zappa puts it all together from a converted potato shed in a tumbledown cottage deep in rural Devon which he shares with various fish, and sometimes a small Indian frog. He is ably assisted by his lovely wife Corinna, his bulldog/boxer Prudence, his elderly mother-in-law, and a motley collection of social malcontents. Plus.. did we mention the infantile orange cat?

    INSTRUCTIONS TO CONTRIBUTORS TO THE JOURNAL OF CRYPTOZOOLOGY

    INSTRUCTIONS TO
    CONTRIBUTORS

    These fall into two categories: important issues to consider when preparing a cryptozoological paper; and the style of presentation required for submissions to the journal.
      
    (i) Important Issues to Consider When Preparing a Cryptozoological Paper

    The Journal of Cryptozoology aims to publish papers of equal rigour to existing mainstream science journals. Cryptozoology is a controversial topic. Consequently, the following guidelines suggest important issues to consider when preparing a cryptozoological paper, in order to pre-empt common criticisms that might be made by reviewers.

    Premises and Background

    1 The scientific literature works from the existing consensus. By definition (i.e. Heuvelmans, 1988), there is no consensus on whether the putative animals behind cryptozoological reports exist. Therefore papers submitted to the Journal of Cryptozoology should not start from a premise that a specific animal species does exist (except to make predictions about the evidence for it that might be found in future or to develop methodology). Papers can of course present evidence for the existence of unknown animals, and argue against the existing consensus.

    2 Papers should work from the existing scientific consensus with regard to other arguments as well. This does not mean non-consensual assumptions cannot be made but that if such assumptions are made, they should be justified by reference to evidence. For example, if an author believes that certain bipedal tracks are made by a putatively still-extant prehistoric animal that palaeontologists assume is quadrupedal (and extinct), then some evidence for the presumed animal’s bipedality, independent of the tracks, should be given. 

    3 Professions of personal belief in particular cryptids are not part of a scientific paper, but personal experience of seeing putatively unknown animals may be suitable for publication.

    4 It is particularly important that authors should not presume the zoological identity of a particular cryptid (see also Point 17 below), nor should language be employed that implies the identity is unequivocally known. Papers can of course argue for a particular zoological explanation for a certain set of reports, given particular evidence and test hypotheses concerning particular identities.

    5 Authors should be aware of and cite the relevant scholarly literature on the topic in question. The use of Google Scholar or similar search engines allows basic searching of the scholarly literature by people outside of research institutions. References used should be scholarly where possible, and definitely from print media or an online equivalent. Ephemeral references should not be used except as an absolute last resort. Non-scientific blogs and similar articles are generally unacceptable as sources in formal papers, as is Wikipedia.

    6 Authors should be aware that words can have a technical meaning within certain fields that is different from that in general use. For example, the terms 'accuracy' and 'precision' have specific technical meanings in statistics, although the words are often considered synonymous by the general public. Likewise, 'bug' as a strict zoological term is restricted to one particular taxonomic order of insects, as opposed to its more general use in North America for almost any terrestrial arthropod.

    Using Eyewitness Testimony

    Unlike conventional zoology, cryptozoology often uses eyewitness testimony as a potential source of evidence. Authors should be aware of the numerous biases associated with eyewitness testimony in general (e.g. Loftus, 1996) and in a specifically cryptozoological framework (e.g. Arment, 2004; Paxton, 2009).

    7 Given witnesses cannot, by definition, know what it is that they are reporting, they cannot necessarily gauge their own accuracy or precision.

    8 Authors should not necessarily assume eyewitnesses are correct in their identification of body parts and/or the taxonomic affinities of what they are reporting. In addition, there may also be ambiguity in the eyewitness reports. For example, is a reported 'mane'  a lion-like mane or a horse-like mane  or something different from both of these?

    9 Just because reports come from a given area does not mean they have the same origin.

    10 Just because reports are hypothesised to have the zoological source (i.e. cryptid) does not mean they actually have the same source. For instance, a given report of a bigfoot could be of an unknown animal, of a man in a gorilla suit, or of a variety of known animal. The origins of reports superficially of the same type need not be consistent in space.

    11 Catalogued eyewitness reports are an outcome of a long process that includes acquisition (i.e. the perception of the original event), retention (i.e. memory), retrieval (i.e. recollection), transmission, and recording (Loftus, 1996; Paxton, 2009). At each and every stage, biases may creep in, which means that accessible reports may represent a very inaccurate and imprecise sample of what was actually seen.

    12 From Point 11, it is very possible that collected cryptozoological reports suffer from sampling biases that affect the conclusions drawn from them. For example: if aquatic cryptids are reported most in calm weather conditions (e.g. Mackal, 1976), does this reflect the biology of an unknown animal or is it due to increased detectability under those conditions? (See Buckland et al., 2001 for a discussion of detectability in an animal survey context.)

    13 The most frequent source of bias in cryptozoological reports is that they record presence only. If conclusions want to be drawn from reported occurrences or report frequencies, then this can only really be done if search effort (e.g. man-hours searching, area searched, effort in collecting reports, etc) is known.

    14 It follows from Point 13 that raw quantification of reports without taking account of search effort cannot be used to infer putative habitat preferences of cryptids, etc.

    15 Trends in features of reports, if real, may reflect cultural changes of biases in the reporting process rather than changes in the biology of the putative animals, if any. 

    16 Wherever possible, the original wording of reportees should be used. Authors should avoid interpolating meaning to witness statements unless absolutely necessary. 

    17 Cryptids are hypothetical constructs of what the putative source of eyewitness reports might be. The raw data of eyewitness-based cryptozoology is reports. Data and hypotheses should not be confused. It is therefore inappropriate to state "bigfoot occurs in the forested areas of British Columbia", when what is incontestably true is "bigfoot reports come from the forested regions of British Columbia". 

    Reaching Conclusions

    All conclusions in the Journal of Cryptozoology should be evidence-based - where the premises, data, and chain of reasoning leading to the conclusion are clearly stated. Every point made must be justified either through evidence and argument supplied within the paper or by reference to existing published literature. Care should be made in distinguishing between possible explanations of things, of which there are an infinite number, and probable explanations of things, of which there are few and which are of rather more interest to the readership. Probable rival hypotheses for explanations of certain phenomena should be explicitly stated and the reasons for rejecting/accepting a particular hypothesis over others explicitly given.

    See also Arment (2004) and Paxton (2011) for more commentary on the methodology of cryptozoology.


    References
    • Arment, C. (2004). Cryptozoology, Science and Speculation. Coachwhip (Landisville)
    • Buckland, S.T., et al. (2001). An Introduction to Distance Sampling. Oxford University Press     (Oxford)
    • Heuvelmans, B. (1988.) The sources and methods of cryptozoological research. Cryptozoology, 7: 1-21.
    • Loftus, E.F. (1996). Eyewitness Testimony. Harvard University Press (Cambridge [MA])
    • Mackal, R.P. (1976). The Monsters of Loch Ness. Futura (London)
    • Paxton, C.G.M. (2009). The plural of "anecdote" can be "data": statistical analysis of viewing distances in reports of unidentified giant marine animals 1758–2000. Journal of Zoology, 279: 381–387
    • Paxton, C.G.M. (2011). Putting the "ology" into cryptozoology. Biofortean Notes, 1: 7-20.


    (ii) The Style of Presentation Required for Submissions to the Journal

    All submissions must be original manuscripts not previously published elsewhere or submitted elsewhere simultaneously with submission to this journal. All submissions will be sent to two members of the journal's peer review panel for their opinions concerning content, clarity, and relevance to cryptozoology. Their comments will then be studied by the editor whose decision is final concerning whether or not the manuscript is published, subject if necessary to amendments by the author(s) if suggested by the reviewers. The copyright of all published papers belongs to this journal.

    All manuscripts submitted should be one of the following three types of paper:

    Discussion/Review article:

    Its subject should be a discussion or literature review of a given cryptozoological subject, and should not include original, unpublished research. It can be of 1000-4000 words in length, and can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the following three categories:

    (1) owned by the author(s);

    (2) has been granted to them in writing by their copyright owner(s) - a copy of such permission will need to be submitted with the manuscript and artwork;

    (3) expired, i.e. in the public domain.

    The article should be preceded by a 200-word abstract, and should be divided into relevant subtitled sections. A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

    Research article:

    Its subject should be original research (but not fieldwork) conducted by the author(s). It should be of comparable length to or shorter than discussion/review articles, but with a minimum count of 1000 words. It can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the three above-listed categories. The article should be preceded by a 100-200 word abstract, and its main text should be split into four sections – Introduction, Materials and Methods (or Description where more appropriate), Results/Interpretation, Discussion/Conclusions. A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

    Field report:

    Its subject should be fieldwork conducted by the author(s). It should be of 1000-2500 words in length. It can also include clearly labelled and numbered b/w photographs, artwork, tables, or maps, provided that the copyright of these falls into one of the three above-listed categories. The article should be preceded by a 200-word abstract, and its main text should be split into four sections – Introduction, Description (in which the fieldwork undertaken is described), Results, Discussion (which should also include details of any future plans). A reference list can be included at the end of the article; if so, this and the accompanying in-text citation style should correspond with the preferred version outlined below.

    Style of reference citation required:

    All in-text citations should be: author(s) surnames, comma, year of publication, all in parentheses. If the cited reference has more than two co-authors, give only the first surname followed by et al. Examples: (Jones, 1987), or (Jones and Jones, 1987), or (Jones et al., 1987).

    For books, the style required for the reference list should be: Author surname followed by given names as initials, then followed by the year of publication in parentheses, and a full stop/period. The title of the book should be italicised, with its principal words beginning with a capital letter, and should end with a full stop/period. The publisher's name should then be given, with the town or city of publication included in parentheses. If the book is co-authored by two authors, their names should be separated by 'and'; if co-authored by more than three, only the first author's name should be given, followed by a comma and then 'et al.' (in italics). Here are some hypothetical examples:

    Smith, J.C. (1987). The History of Cryptozoology. Jones and Son (London).

    Smith, J.C. and Jones, J.A. (1987). The History of Cryptozoology. Jones and Son (London).

    Smith, John C., et al. (1987). The History of Cryptozoology. Jones and Son (London).

    For journal articles, the style required for the reference list should be: Author surname followed by given names as initials, then followed by the year of publication in parentheses, and a full stop/period. The title of the article should not be italicised, and should not be capitalised (other than for the first word or proper nouns). The title of the journal should be given in full, not abbreviated, with its principal words beginning with a capital letter, it should be italicised, and should end with a comma. Volume numbers should be given as figures, issue numbers also as figures (preceded by no.) but included in parentheses following the volume number (together with date of issue if relevant, and separated from issue number by a semi-colon), followed by a colon, and then the page numbers, given in full. If the article is in a newspaper, the town or city of publication in parentheses should follow the newspaper's title, and instead of volume numbers, the full date of publication will suffice, followed by the page number(s) if known. Here are some hypothetical examples:

    Smith, John C. (1987). Investigation of an unidentified lizard carcase discovered in Senegal. Journal of Lizard Studies, 33 (no. 2; September): 52-59.

    Smith, John C. (1987). Mystery cat on the loose in Wales. Daily Exclusive (London), 4 February: 23.

    For online sources, if an author name is given, it should be presented in the same style as for books and articles, followed by the year and title of the source, which should adhere to the style format given above for a hard-copy journal article, followed by the website's title, then the complete URL, date of posting if given, and the date upon which it was accessed by the paper's author(s). Here is an example:

    Shuker, Karl P.N. (2012). Quest for the kondlo – Zululand's forgotten mystery bird. ShukerNature
    http://www.karlshuker.blogspot.com/2012/02/quest-for-kondlo-zululands-forgotten.html 21 February. Accessed 29 January 2013.

    If no author is given, simply begin the reference with Anon. and then give the article's publication year, title, etc as above.

    References inserted directly in the paper's main text should take the form of: Smith (1988), Jones (1989). Or, if cited within brackets in the main text, they should take the form of (Smith, 1988; Jones, 1989).

    Spelling/Punctuation Miscellanea

    Always utilise the UK-English spelling variant of a given word if it differs from the American-English equivalent, e.g. colour, not color; organise, not organize; through, not thru; grey, not gray.

    In text, please insert only a single space, not two spaces, between the full stop (period) at the end of one sentence and the capital letter beginning the first word of the next sentence.

    Measurements:

    Wherever possible, the metrical system of measurements should always be employed in manuscripts. However, when directly quoting historical documents that contain imperial measurements, it is permitted to retain these for purposes of accurate reporting, provided that their metrical equivalents are included directly alongside them in square brackets, e.g. 1 ft [30 cm].

    Please email all submissions to the Editor at: karlshuker@aol.com


    NEWS FROM NOWHERE - Wednesday

    ON THIS DAY IN 513 - Explorer Juan Ponce de Leon claimed Florida for Spain. 
    And now some more recent news from the CFZ Newsdesk

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  • AND TO WHISTLE WHILE YOU WORK... (Music that may have some relevance to items also on this page, or may just reflect my mood on the day)