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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Monday, May 28, 2012

RICHARD F GOES TO BOGGY CREEK

THE BEAST OF BOGGY CREEK: Lyle Blackburn, Anomalist Books, 2012
ISBN: 1933665572

Almost anyone with an interest in cryptozoology will have seen Charles B. Pierce’s classic low buget 1972 horror flick The Legend of Boggy Creek, the atmospheric docu-drama-style with the shadowy ape-thing haunting the bayoux and river bottoms, and periodically emerging to terrify small rural communities such as Fouke and Jacksonville. The story was based on real events and the film utilized real witnesses. The movie was more than the sum of its angles. A man in an ape suit wandering around in the shadows was transformed into something genuinely disturbing. The film had an immediacy to it. It felt like it could happen in your own back yard. No amount of CGI or big name Hollywood actors could ever recapture its feel, as proved by the worthless 2011 remake.

The Fouke Monster, as it became known, has been covered in other books on hominids both in the USA and worldwide. But Lyle Blackburn’s work, The Beast of Boggy Creek, focuses in on this one area, and is all the better for it. The Beast of Boggy Creek is also unique in that it looks not only at the sightings of the creature / creatures, but at their cultural and social effects.

There is a detailed history of Fouke, a small town in southwest Arkansas close to the border with Texas, and a comprehensive list of creature sightings stretching back to 1909 and up to 2010. The scene is thus set for the events of 1971 when a spate of sightings and an attack made the newspapers, and grabbed the attention of the world.

Lyle skilfully recounts the strange saga, interviewing people who lived through the events. He also chronicles the story of how the cult film, based on the encounters, was made on a wing and a prayer, and went on to become a classic of Fortean cinema.

The film spawned a whole sub-genre of low budget sasquatch films, none of which captured the brooding menace of the first movie.

When the dust settled and the world’s attention moved on, the sightings continued. Lyle records many such encounters through the ‘70s, ‘80s and ‘90s, to the present day, with some of the later sightings arguably even more dramatic than the ‘classic’ period. Many of these have never been recorded prior to this book and it is always good to read new information.

Of special interest to both movie buffs and cryptozoologists is a scene by scene breakdown of Pierce’s classic, comparing each scene with the real life events that inspired it.

Theories as to the nature of the beast are examined, including the old chestnut of an escaped ape from a circus train wreck, a Scooby-Doo-style scare story to keep people away from moonshine stills, or even a horror invented to keep black people away from the town! The author tentatively comes down on the side of an unknown species of ape and I must agree with him here.

The monster’s appearances in books, records, TV and memorabilia is also looked at.

You could have all the information above and still have a lousy book if it were not presented well, but Lyle shows himself not only to be a first-rate researcher but a master of the written word. The Beast of Boggy is almost poetic in its delivery, making it not only a mine of information but a pleasure to read as well.

In the words of the narrator of The Legend of Boggy Creek “I was seven years old when I first heard him scream. It scared me then and it scares me now.”

10 /10

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