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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.
The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.
1 comment:
Has any of the commentators on these imps mentioned yet that the face has strongly Neanderthaloid features? Their representation as sort-of satyrs is traditional also, and that occurs with the Scottish Urisks as well.
I assume the one-legged stance was meant as a means of wedging the original icon into the ground, however far back that might have been. Some of the Late-Paleolithic Venus figurines seem to have had pointed feet to wedge into the ground. And incidentally. artistic representation of satyr-like beings also goes back to the Late Paleolithic.
Which looks as if some of the CroMagnons might even have venerated Neanderthals as being the spiritual link between humans and the Animal world. Just possibly.
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