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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Wednesday, March 31, 2010

DALE DRINNON: Amendment to Arthur Grant's original Nessie Sketch as reproduced in Costello's book `In Search of Lake Monsters`

Peter Costello's book has been widely used as a source for material on lake monsters. He is the first to publish the original version of Arthur Grant's sketch for his sighting of the Loch Ness monster ashore at night in January 1934, Costello's Figure 10 on page 46. The figure differs from other, later drawings done by Grant and significantly because the rear end ends at one edge of the paper and does not appear to show a tail.

But in fact the tail is clearly shown on the drawing. Because Grant ran out of paper on the one end, he drew in the tail starting at the other side again, as a sort of wraparound image. The tail is clearly drawn underneath the front end of the monster.


I have attempted to correct the image somewhat in my version. Grant did seem to draw the blunt end of the tail turning up, which I have omitted; and in fact Grant's version makes the tail much larger and thicker than I have drawn. I am not so certain he meant it as being in exact scale to the rest of the drawing, however.

(Source: Peter Costello, In Search of Lake Monsters, Coward, McCann & Geoghegan, NYC 1974)

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