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Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Friday, April 02, 2010

`In the Wake of Bernard Heuvelmans` reviewed

In the Wake of Bernard Heuvelmans
Author: Michael Woodley
Publisher: CFZ Press, 2008
Price: £7.99 (paperback)
Isbn: 9781905723201

Rating:
Next best thing to a textbook on Fortean marine zoology
By Bob Rickard March 2010

In 1860 the naturalist P. H. Gosse wrote one of the key books of early crypto­zoology, The Romance of Natural History. In it he introduced his own ideas about what he called ‘the Great Unknown’: “the existence of the sub-mythic monster popularly known as ‘the sea-serpent’.”

He goes on: “The cloudy uncertainty which has invested the very being of this creature; its home on the lone ocean; the fitful way in which it is seen and lost in its vast solitudes; its dimensions vaguely gigantic; its dragon-like form; and the poss­ibility of its association with beings considered to be lost in obsolete antiquity; all these are attributes which render it peculiarly precious to a romantic naturalist.”

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