WELCOME TO THE CFZ BLOG NETWORK: COME AND JOIN THE FUN

Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Thursday, November 20, 2014

CRYPTOLINK: Lies, Damned Lies, and Cryptozoology

A word about cryptolinks: we are not responsible for the content of cryptolinks, which are merely links to outside articles that we think are interesting (sometimes for the wrong reasons), usually posted up without any comment whatsoever from me. 
Don’t believe everything you read on the internet,
despite what cryptozoologists may be telling you.
Plesiosaurs, like mermaids and Megalodon, don't really exist, but Baird's Beaked Whales do, and you're looking at one.
Plesiosaurs, like mermaids, Megalodon, and a representative democracy, don’t really exist anymore, but Baird’s Beaked Whales do, and you’re looking at one.
The internet is a double-edged sword of enlightenment and ignorance. It has the capacity to educate millions in ways never before possible, making science accessible, understandable, and relevant. At the same time it infects the public with idiocy, lies, pseudoscience, and the malevolent intention to mislead (kind of like Discovery Channel). Disinformation is a zombie. It is the resurrected body of mysteries solved, arguments settled, and bad science disproved, marching through half-baked websites and ‘shared’ by newly-infected readers not yet schooled in the truth, spreading fabrications and misinterpretations that eat away at the integrity of science and numb the brains of the masses.
Among the many internet zombies gnawing on science and pseudoscience blogs, the one I’ve battled is the “mystery’ of the “Moore’s Beach Monster” (sometimes called the “Santa Cruz Sea Serpent”), touted as a living plesiosaur in the modern world, a remnant of the age of dinosaurs in the 20th Century, and proof that ancient beasts still live among us. It has become a perennial icon for conspiracy-paranoid cryptozoologists and fundamentalist creationists. In fact, there never was a plesiosaur, and even upon its discovery, the remains of a decomposing beached carcass was shown most definitively not to be a plesiosaur, but dozens of internet sites still push the plesiosaur hoax. I get enough inquiries about the reptilian validity of the Moore’s Beach Monster every year that even the Travel Channel tried to help me debunk it in an episode of Mysteries at the Museum.
Dinosaur hunters of the Victorian era exhumed what many contemporary 'sea serpents' are modeled after.
Victorian dinosaur hunters exhumed what many contemporary ‘sea serpents’ are modeled after.
From the time humans walked on two legs between the beach and the tides, and after the first of our ancestors took to the ocean, “sea serpents” were commonly observed at sea or cast upon beaches, celebrated locally and later ingrained into regional lore. During the 1800s and 1900s, the advent of cameras recorded these events in grainy sepia-toned images, some real, some retouched. The immediacy and broadcast of newspapers brought these sea monster sensations to a wider audience and heightened celebration of such mysterious beasts. These were the grotesque remains of otherwise normal animals that fear, ignorance and imagination transformed into nightmarish beasts.

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