Monday, November 03, 2014

CRYPTOLINK: Five “Real” Sea Monsters Brought to Life by Early Naturalists

A word about cryptolinks: we are not responsible for the content of cryptolinks, which are merely links to outside articles that we think are interesting (sometimes for the wrong reasons), usually posted up without any comment whatsoever from me. 
HIC SUNT DRACONES.”
This phrase translates from the Latin as “here are dragons.” It is etched on the eastern coast of Asia on one of the oldest terrestrial globe maps, the Lenox Globe, dating to 1510. Though the phrase itself is found on only one other historical artifact—a 1504 globe crafted on an ostrich egg—depictions of monsters and mythological beasts are common on early maps. They mostly crop up in unexplored reaches of the oceans, warning would-be explorers of the perils of these unknown territories.
One of the most famous of these maps is Olaus Magnus’ Carta Marina, drawn between 1527and 1539. Magnus (1490-1557) was the Catholic archbishop of Sweden and a prominent historian. His travels brought him farther north than any of his contemporary European intellectuals, lending a great deal of perceived credibility to his accounts and publications. Carta Marina is a detailed map of Scandinavia—one of the oldest ever created—and it depicts the Norwegian Sea so teaming with monsters that it would seem impossible to escape these waters uneaten. In 1555, Magnus published Historia de Gentibus Septentrionalibus (“A Description of the Northern Peoples”), which not only related the history, customs, and beliefs of the Scandinavian people, but also reprinted and described the creatures found on Carta Marina. His standing and reputation secured the widespread acceptance of his stories.

Kraken
Kraken gif created by Richard Naples [Smithsonian Libraries], based on a drawing by Denys Montfort in Histoire naturelle, générale et particulière des mollusques: animaux sans vertèbres et a sang blanc, v.2, 1801. (Smithsonian Biodiversity Heritage Library)

Magnus’ descriptions and drawings were copied repeatedly, with little to no modification, for centuries by such historical titans as Edward Topsell, Ulisse Aldrovandi, John Jonstonus and Conrad Gessner, whose Historia Animalium, replete with Magnus’ drawings, is the first modern zoological work attempting to describe all known animals. Such repurposing ensured that these creatures were ingrained in the public mind as truth. And over the centuries, many new monsters were added to the mix.

Read on...

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