A word about cryptolinks: we are not responsible for the content of cryptolinks, which are merely links to outside articles that we think are interesting (sometimes for the wrong reasons), usually posted up without any comment whatsoever from me.
Last month, the mayor of the 2,200-person town of Egilsstaðir in eastern Iceland matter-of-factly announced that his government had verified video proving the existence of the Lagarfljótsormur, the Iceland Worm Monster. A fixture of Icelandic myth since 1345, the Worm is supposedly a 300-foot sea serpent, which thrashes about and slithers up onto the surface from within the glacier-fed Lagarfljót Lake. Some say the Lagarfljótsormur was put there by men, some say it was tied to the bottom by Finns to keep its bloody appetites in check, and some say its lashing and churning portends disaster. But rather than go the way of most wyrms—into myth, history, and crackpot theories—a casual, possibly coy half-belief in the Lagarfljótsormur and many more magical creatures still persists in Iceland, with modern-day sightings by government officials, entire classrooms of children, and as in the case of the 2012 film that supposedly confirmed the serpent’s existence, men casually observing a roiling river demon over a cup of coffee. Many suspect these “beliefs” are just opportunistic bids for attention or tourism dollars. But no matter the motive, the Lagarfljótsormur and its mythic kin now play a significant role in shaping Iceland’s relationship with and preservation of its own culture and the natural world it’s tied to. Read on...
A word about cryptolinks: we are not responsible for the content of cryptolinks, which are merely links to outside articles that we think are interesting (sometimes for the wrong reasons), usually posted up without any comment whatsoever from me.
HIC SUNT DRACONES.”
This phrase translates from the Latin as “here are dragons.” It is etched on the eastern coast of Asia on one of the oldest terrestrial globe maps, the Lenox Globe, dating to 1510. Though the phrase itself is found on only one other historical artifact—a 1504 globe crafted on an ostrich egg—depictions of monsters and mythological beasts are common on early maps. They mostly crop up in unexplored reaches of the oceans, warning would-be explorers of the perils of these unknown territories.
One of the most famous of these maps is Olaus Magnus’ Carta Marina, drawn between 1527and 1539. Magnus (1490-1557) was the Catholic archbishop of Sweden and a prominent historian. His travels brought him farther north than any of his contemporary European intellectuals, lending a great deal of perceived credibility to his accounts and publications. Carta Marina is a detailed map of Scandinavia—one of the oldest ever created—and it depicts the Norwegian Sea so teaming with monsters that it would seem impossible to escape these waters uneaten. In 1555, Magnus published Historia de Gentibus Septentrionalibus (“A Description of the Northern Peoples”), which not only related the history, customs, and beliefs of the Scandinavian people, but also reprinted and described the creatures found on Carta Marina. His standing and reputation secured the widespread acceptance of his stories.
Kraken gif created by Richard Naples [Smithsonian Libraries], based on a drawing by Denys Montfort in Histoire naturelle, générale et particulière des mollusques: animaux sans vertèbres et a sang blanc, v.2, 1801. (Smithsonian Biodiversity Heritage Library)
Magnus’ descriptions and drawings were copied repeatedly, with little to no modification, for centuries by such historical titans as Edward Topsell, Ulisse Aldrovandi, John Jonstonus and Conrad Gessner, whose Historia Animalium, replete with Magnus’ drawings, is the first modern zoological work attempting to describe all known animals. Such repurposing ensured that these creatures were ingrained in the public mind as truth. And over the centuries, many new monsters were added to the mix.
What has Corinna's column of fortean bird news got to do with Cryptozoology?
Well, everything actually!
In an article for the first edition of Cryptozoology Bernard Heuvelmans wrote that cryptozoology is the study of 'unexpected animals' and following on from that perfectly reasonable assertion, it seems to us that whereas the study of out-of-place birds may not have the glamour of the hunt for bigfoot or lake monsters, it is still a perfectly valid area for the Fortean zoologist to be interested in.
The hunt for British Big Cats attracts far more newspaper-column inches than any other cryptozoological subject.
There are so many of them now that we feel that they should be archived by us in some way, so we are publishing a regular round-up of the stories as they come in.
The worldwide mystery cat phenomenon (or group of phenomena, if we are to be more accurate) is not JUST about cryptozoology. At its most basic level it is about the relationship between our species and various species of larger cat. That is why sometimes you will read stories here that appear to have nothing to do with cryptozoology but have everything to do with human/big cat interaction. As committed Forteans, we believe that until we understand the nature of these interactions, we have no hope of understanding the truth that we are seeking.
Bigfoot
researcher LordCryptid in Michigan was walking his dog the other day and managed
to capture a dark figure on a trail. Whatever it was, it was ...
“They
were all about the hairy man, or the wild man, or something like that, and of
course I didn't believe them… we took all these campfire stories
and ...
These
are possibly the worst videos of a Bigfoot sighting ever filmed in the
history of Bigfoot footage. They make Harry and the Henderson's look like
a
It has been a long, convoluted and rather
complicated weekend during which (in no particular order): Andy the druid did a
Samhain ceremony, Calpurnia the tortoise laid an egg, I improvised an incubator,
Amy and Charlotte brought me diabetic-friendly cardamom biscuits, Martha the
baby pigeon continued to eat drink and grow stronger, Karaand Harry Wadham
brought me niececake and niecepies, I worked out how to put moving images on the
background of a website, we had Julia the Happy Medium for a houseguest, 28ft of
cast iron guttering fell off the front of the house in a rainstorm and I put the
final touches to Karl Shuker's new book cover. Not bad for my weekend off when I
was supposed to be asleep for two days.
Steve Hillage, Supertramp, Jon Anderson, Yes, Joy
Division, Hawkwind, and Daevid Allen fans had better look out! The latest issue
of Gonzo Weekly (#102) IS available to read at www.gonzoweekly.com, and to download at http://www.gonzoweekly.com/pdf/.
It has Steve Hillage on the cover, and features an
interview with him inside. But there's more! There is news about Daevid Allen,
Doug Harr critiques the Supertramp live DVD, and people make wild speculations
about a new Galahad side project. Xtul are still in the deep woods, and Corinna
finds a brilliant board game from the Swinging Sixties. Jon muses on Peter
Hook's recollections of Joy Division, and we send Carl 'Blue' Wise to a desert
island and Jon is very rude about the third album by The Ting Tings. There are
also new shows from the multi-talented Neil Nixon at Strange Fruit and from M
Destiny at Friday Night Progressive, and the massively talented Jaki and Tim are
back with their submarine and Maisie the cow. There is also a collection of more
news, reviews, views, interviews and turtles having a snooze (OK, no soporific
chelonians, but I got carried away with things that rhymed with OOOOS) than you
can shake a stick at. And the best part is IT's ABSOLUTELY FREE!!!
All issues from #70 can be downloaded at www.gonzoweekly.com if you prefer. If you
have problems downloading, just email me and I will add you to the Gonzo Weekly
dropbox. The first 69 issues are archived there as well. Information is power
chaps, we have to share it!
* The Gonzo Daily is a two way process. If you have any news or want
to write for us, please contact me at jon@eclipse.co.uk. If you are an artist and
want to showcase your work, or even just say hello please write to me at gonzo@cfz.org.uk. Please copy, paste and
spread the word about this magazine as widely as possible. We need people to
read us in order to grow, and as soon as it is viable we shall be invading more
traditional magaziney areas. Join in the fun, spread the word, and maybe if we
all chant loud enough we CAN stop it raining. See you tomorrow...
* The
Gonzo Daily is - as the name implies - a daily online magazine (mostly) about
artists connected to the Gonzo Multimedia group of companies. But it also has
other stuff as and when the editor feels like it. The same team also do a weekly
newsletter called - imaginatively - The Gonzo Weekly. Find out about it at this
link: www.gonzo-multimedia.blogspot.com/2012/11/all-gonzo-news-wots-fit-to-print.html
* We should probably mention here, that some of our posts are links to
things we have found on the internet that we think are of interest. We are not
responsible for spelling or factual errors in other people's websites. Honest
guv!
* Jon Downes, the Editor of all these ventures (and several
others) is an old hippy of 55 who - together with an infantile orange cat named
after a song by Frank Zappa puts it all together from a converted potato shed in
a tumbledown cottage deep in rural Devon which he shares with various fish, and
sometimes a small Indian frog. He is ably assisted by his lovely wife Corinna,
his bulldog/boxer Prudence, his elderly mother-in-law, and a motley collection
of social malcontents. Plus.. did we mention the infantile orange cat?
The hunt for British Big Cats attracts far more newspaper-column inches than any other cryptozoological subject. 
The Gonzo Daily - Monday